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AMERICA GIVEN TO EPHRAIM THE CONTROVERSY OF ZION: EPHRAIMITES IN BETHLEHEM? TEOTW FOLLOW UP

AMERICA GIVEN TO EPHRAIM THE CONTROVERSY OF ZION: EPHRAIMITES IN BETHLEHEM? TEOTW FOLLOW UP JB_Zion 49 Views • 12 months ago

***THEY KNOW WHO WE ARE***!!!We are about to look at the AWAKENING from a DNA PERSPECTIVE. THE CONTROVERSIAL ASPECT OF PROVING WE ARE ISRAEL in this video DOES DNA PROVE BLACK PEOPLE ARE HEBREW ISRAELITES? We will see the full extent of the EVIDENCE to PROVE WHO BLACK PEOPLE ARE!! COINTELPRO, Willie LYNCH, THE COUNCIL OF NICEA. THEY WONT BE HAPPY TO SEE YESHUA. Judgment, Wealth of the nations and reparations, UFOS, 2nd Exodus, World Governance, Gentile bond servants we are about to deal with it!! In this PART 1 we are going to deal with THE GOSPEL OF THE KINGDOM LINKED TO OUR RETURN TO ZION in RULERSHIP. Fallout, Smoke, Black power, Moors, History of Negro, Al-Andalus, Khemit, Hebrew Israelism Who are we as African Americans!! This is that channel!! Black Revolutionary Ideologies and Leaders, we're going to deal with it all!! ...LET'S GOOOOOO!! WE DA PEOPLE!!

Books Used For Teachings 📚
Black Jews in Africa and the Americas: https://amzn.to/3pcn9lc
The Black Hebrew Awakening: https://amzn.to/35u7Lda
From Babylon to Timbuktu: https://amzn.to/3shNwIq
The Black Jews of Africa: https://amzn.to/3veATQ9
Undeniable: Full Color Evidence of Black Israelites in the Bible: https://amzn.to/3IkOqtc
Zondervan's Compact Bible Dictionary: https://amzn.to/3sgHIyP
A Textbook of the Origin & History, Etc. of the Colored People: https://amzn.to/3hiHrVG
Light & Truth: https://amzn.to/35rXNsJ
Nature Knows No Color-Line: https://amzn.to/3vgDLfG
The Jews & Moors in Spain: https://amzn.to/3IioM8p
Life of Olaudah Equiano: https://amzn.to/3vfoz2k
Encyclopedia of the Jewish Diaspora: https://amzn.to/35rbGHC
Russian Icons (German Edition): https://amzn.to/3BLAXbD

Gear Used 📷
Canon G7X Mark II: https://amzn.to/3HhR0Pi
Sandisk 500GB Extreme Portable SSD: https://amzn.to/3MaqDPh
SanDisk 256GB Extreme SD Card: https://amzn.to/3LYenRF
USB Type C Hub Adapter: https://amzn.to/3HiPyfR
Tripod: https://amzn.to/3t4cKJE

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@iamjbzion

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All proceeds are used to grow the channel and help me continue to provide you with great content.

Disclaimer: Some of these links are affiliate links in which I'll receive a small commission if you make a purchase using the links at no additional cost to you.

Business Inquiries ONLY Email:
IAMJBZion@gmail.com

Africa's looted art | DW Documentary

Africa's looted art | DW Documentary Brother T 48 Views • 6 years ago

Africa’s colonial overlords brutally stripped it of countless cultural treasures. Now, the fate of these items is being hotly debated in Europe and Africa as well. Some say the pieces should be returned, while others have reservations.

European museums proudly present art and cultural artifacts from all over the world. But until recently, many of them have never considered their own complicity in the brutal ways in which the pieces were acquired. Only slowly are they starting to include the people to whose ancestors these artifacts once belonged in their decisions, although European colonial overlords pillaged and looted them in the first place.

The issue of restitution is taking on a new urgency in Germany, last but not least because of the controversy surrounding Berlin's Humboldt Forum, which is home to non-European collections. It's estimated that more than 1.5 million artifacts from all around the world are held in storage at Germany's ethnological museums. The Linden Museum in Stuttgart alone holds 60 thousand pieces from Africa. How many of them were stolen? And how do museums address the fact that their colonialist collectors had blood on their hands?

This documentary takes an African perspective on some examples, including valuable bronzes from Nigeria, an ornamental prow of a boat from Cameroon, and what is known as the Witbooi Bible from Namibia.

What do the people in the African countries where the pieces originated think about all this? What are the views of researchers, museum directors, artists and curators? What emotions arise when the frequently painful past is stirred up and examined? And how significant is the issue in the context of problems such as poverty, hunger and corruption in former colonies?

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