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Never Forget | Alabama B.rawl
Never Forget | Alabama B.rawl AshandaAtLarge 64 Ansichten • 2 Jahre vor

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Grab a copy of my step-by-step e-book breaking down the marital vows so you can do marriage Yah's way. Married for 17 years, I started marriage with a Girlfriend

Thank you to all Superchat and Supersticker supporters. We greatly appreciate you all!

Love yourself, without hating your enemies!

The Three-Part Man: Who is Man? -  The Spirit of Man – Guarding Your True Identity (Session3)
The Three-Part Man: Who is Man? - The Spirit of Man – Guarding Your True Identity (Session3) Covenant Convo With ShayYah 64 Ansichten • 10 Monate vor

⁣Welcome back to Covenant Convo with ShayYah! This is Part 3 of our Three-Part Man: Who Is Man? series. Tonight we go deep into The Spirit of Man—the divine breath, the true core of who you are, and the battlefield of influence between Yah and the deceiver.

We’ll uncover:

Why your spirit is the lamp of Yah (Proverbs 20:27)

The difference between spirit, soul, and body

How your gates (eyes, ears, mouth, touch) determine spiritual influence

Why guarding your spirit is guarding your life (Proverbs 4:23)

How obedience is active, repentance is reactive, and prayer + fasting are proactive

The authority Yah’s people carry over animals, creation, and even the elements

The serpent’s “subtil” nature and why it became the vessel for HaShatan’s deception

Why Balaam’s donkey spoke (Numbers 22:28–30) and how it teaches the submissive nature of animals

How Yahusha’s stronger Spirit overcame legions of demons (Mark 5:1–13)

Why creation itself groans for the restoration of Yasharal (Romans 8:22)

This session reveals the spirit’s role as the agent, the script-seeker, and the identity-shaper. The question is: who are you letting write your script—Yah or the deceiver?

📖 Scriptural References Covered:

1 Corinthians 6:19–20 • Romans 12:1 • Proverbs 20:27 • Leviticus 11:44 • Matthew 10:28 • Ezekiel 37:5–6 • Job 33:4 • Genesis 1:20–25 • Genesis 3:1 • John 6:63 • Psalm 8:6 • Psalm 32:9 • James 3:3 • Numbers 22:28–30 • 2 Kings 2:23–24 • Matthew 26:41 • Proverbs 4:23 • 2 Peter 3:9 • John 7:24 • 1 John 4:1 • 2 Corinthians 11:14 • Jude 1:20 • Romans 8:22

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📩 Contact: covenantconvowithshayyah@gmail.com

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🔥 Next Premiere: Part 4 – The Soul: The Decision Maker, Emotions, and Will of Man → Sunday, September 14th @ 8PM EST

Be sure to like, share, and subscribe to stay connected, and check out the previous two videos in this series if you missed them.

Love you family, always praying for you. Stay set apart, stay strong, and guard your spirit.

Shalum.

Africa's looted art | DW Documentary
Africa's looted art | DW Documentary Brother T 63 Ansichten • 6 Jahre vor

Africa’s colonial overlords brutally stripped it of countless cultural treasures. Now, the fate of these items is being hotly debated in Europe and Africa as well. Some say the pieces should be returned, while others have reservations.

European museums proudly present art and cultural artifacts from all over the world. But until recently, many of them have never considered their own complicity in the brutal ways in which the pieces were acquired. Only slowly are they starting to include the people to whose ancestors these artifacts once belonged in their decisions, although European colonial overlords pillaged and looted them in the first place.

The issue of restitution is taking on a new urgency in Germany, last but not least because of the controversy surrounding Berlin's Humboldt Forum, which is home to non-European collections. It's estimated that more than 1.5 million artifacts from all around the world are held in storage at Germany's ethnological museums. The Linden Museum in Stuttgart alone holds 60 thousand pieces from Africa. How many of them were stolen? And how do museums address the fact that their colonialist collectors had blood on their hands?

This documentary takes an African perspective on some examples, including valuable bronzes from Nigeria, an ornamental prow of a boat from Cameroon, and what is known as the Witbooi Bible from Namibia.

What do the people in the African countries where the pieces originated think about all this? What are the views of researchers, museum directors, artists and curators? What emotions arise when the frequently painful past is stirred up and examined? And how significant is the issue in the context of problems such as poverty, hunger and corruption in former colonies?

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