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Al Andalus Revealed: The Cultures and People Behind the Moors!
Al Andalus Revealed: The Cultures and People Behind the Moors! iScope History 49 Просмотры • 10 месяцы тому назад

In this video, we explore the rich history of Al-Andalus, the Islamic kingdom in medieval Spain that lasted over 700 years. A unique cultural crossroads, Al-Andalus was home to a dynamic blend of Islamic, Christian, and Jewish influences, which shaped its society, art, architecture, and science. We dive into the extraordinary achievements of the Moors, from the stunning Alhambra palace to their groundbreaking advancements in medicine, mathematics, philosophy, and agriculture.
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Learn about the key figures, the establishment of Islamic rule in the Iberian Peninsula, and the lasting impact of this cultural fusion on Europe and the wider world. From everyday life in Al-Andalus to its profound legacy on modern art and thought, we uncover how this period continues to shape our understanding of history today.
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For more updates and content, subscribe here and stay connected! 🔔
https://www.youtube.com/@iScopeHistory
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Sources:
Moorish Spain by Richard Fletcher

Muslim Journeys | Item #218: 'Moors' from Oxford Islamic Studies Online

Jews of Spain: A History of the Sephardic Experience by Jane S. Gerber

Ṣaqālibah | Arabian Peninsula, Bedouin, Nomads | Britannica

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#alandalus, #medievalspain, #moors, #islamicgoldenage, #history, #spanishhistory, #alhambra, #culturalfusion, #medievalarchitecture, #islamicart, #medievalscience, #philosophy, #medicine, #mathematics, #spanishheritage, #historyofspain, #muslimcivilization, #islamichistory, #andalsus, #culturalcrossroads, #legacyofalandalus

Netanyahu Demands Western Nations Stop Antisemitism
Netanyahu Demands Western Nations Stop Antisemitism Timothy Stevens 49 Просмотры • 1 месяц тому назад

⁣Background music courtesy www.bensound.com

Copyright Disclaimer: - Under section 107 of the copyright Act 1976, allowance is made for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE.

Epic Audio Torah:Exodus!
Epic Audio Torah:Exodus! Biblical Hebrew Awakening 48 Просмотры • 6 лет тому назад

Multistreaming with https://restream.io/
24/7 Hebrew Content Livestream Channel

A powerful mix of Hebrew Israelite truth for the EndTimes!
#BiblicalHebrewAwakening #RebirthRadio #Rebirthofanation

The #Igbo #Yoruba #Idoma #Igala #Bamileke
#Ewe #Ga #Tutsi #Fante #Mandinka #Ovambo #Senegalese #Ganda #Bijagos #Balanta #Herero #Nalu their diaspora and many more are the descendants of the Biblical Hebrew Israelites!

This is a wake up call to all that can receive the truth.
If you doubt the truth of what is presented, please go to God in prayer.
It's not about color, but covenant.

Africa's looted art | DW Documentary
Africa's looted art | DW Documentary Brother T 48 Просмотры • 5 лет тому назад

Africa’s colonial overlords brutally stripped it of countless cultural treasures. Now, the fate of these items is being hotly debated in Europe and Africa as well. Some say the pieces should be returned, while others have reservations.

European museums proudly present art and cultural artifacts from all over the world. But until recently, many of them have never considered their own complicity in the brutal ways in which the pieces were acquired. Only slowly are they starting to include the people to whose ancestors these artifacts once belonged in their decisions, although European colonial overlords pillaged and looted them in the first place.

The issue of restitution is taking on a new urgency in Germany, last but not least because of the controversy surrounding Berlin's Humboldt Forum, which is home to non-European collections. It's estimated that more than 1.5 million artifacts from all around the world are held in storage at Germany's ethnological museums. The Linden Museum in Stuttgart alone holds 60 thousand pieces from Africa. How many of them were stolen? And how do museums address the fact that their colonialist collectors had blood on their hands?

This documentary takes an African perspective on some examples, including valuable bronzes from Nigeria, an ornamental prow of a boat from Cameroon, and what is known as the Witbooi Bible from Namibia.

What do the people in the African countries where the pieces originated think about all this? What are the views of researchers, museum directors, artists and curators? What emotions arise when the frequently painful past is stirred up and examined? And how significant is the issue in the context of problems such as poverty, hunger and corruption in former colonies?

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